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Texts:
  
      
		  | Damrosch, David, ed.  The Longman Compact Anthology of 
		British Literature, Volume A. 
		New York:  Pearson/Longman, 2004. 
		 |  
		  | And whatever else I think you need to have thrown at you. |  
	 
  
A Couple of Options:  How To Construct a Survey Course
There are basically two ways to teach a survey 
class. In the first you choose a few (say eight or ten) representative works and 
develop the historical and literary themes of the age(s) in question from their 
texts. This provides an in-depth textual knowledge, but a limited breadth of 
knowledge. I prefer to err on the other side, giving a less detailed textual 
knowledge but covering more material in the process. Basically this means that 
we're going to be reading a lot in here -- a lot  -- but not spending a lot of time on each 
piece. Some figures, who will be obvious as the semester wears on, will demand 
that we spend more time with them; others we can put together in what I hope 
will be interesting juxtapositions. All of this is just to warn you that we're 
going to be moving fast in here once we get moving; if you get behind on the 
reading you're going to be in trouble, so keep up.  No, seriously, don't 
get behind.   
What I hope to do during the course of the 
semester is to give you not only a sense of the literature from about 1100 to 
1750, but a 
sense of the social issues and changes which occur and are reflected/commented 
upon in the texts themselves. This means that in addition to the literary 
readings assigned, I'm going to expect you to keep an eye on some of the 
contextual materials in the Longman.  They're informative -- if sometimes windy -- and 
serve as good background. ("Keeping an eye on" may mean that I will quiz you on them, 
so be forewarned.) Anyway, I hope that the combination of social history and 
literature adds up to a good semester.  
Course Requirements:
The Requirements here are pretty
simple: 
	  | Read the material.  Always, and
    fully.  This is a reading-intensive course and we're going to cover a
    LOT of material, and I'm going to hold  you responsible for all of it.  If I feel that you're not keeping up, I will institute regular
    reading quizzes. |  
	  | The two exams will be 
	a mid-term and a final.  More details on the form and scope of 
	these will follow, but be prepared to know anything we've read or anything 
	that we've discussed in class -- or anything that I tell you to read that we 
	don't discuss in class. |  
	  | There will also be two essays. 
    The first will be an interpretation of one of the texts (4-5 pages) while the
    second will attempt to draw together two of the works which we've read
    during the course of the semester (5-7 pages).  Works and topics will
    be open* but you ought to clear them with me before you get too far into the
    writing.  Unless an extension has been secured beforehand, late essays 
	will be dropped one full letter grade per day late (weekends counting one 
	day).    *I might change my mind on that for 
	the first one, instead giving you a limited number of pieces to address. |  
	  | Be in class and 
	participate.  You get four
    absences in here free for nothing.  Everything after that comes with a
    price, and that price is a lowering of your final grade. 
	While in class, I 
	notice whether you've read the material and whether you talk or not. 
	Demonstrating that you're taking responsibility for your own educations by 
	doing the work -- reading first, talking well later -- makes a difference on your 
final grade. Because this class
    will depend upon discussion I will be evaluating you on your engagement
    in the class and not
    simply whether your body occupied space or not.  The more you talk, the
    more you learn and retain. |  
	  | Percentages:
    
		  | Essay
        One            15 |  
		  | Mid-Term Exam    15 |  
		  | Essay
        Two            25 |  
		  | Final
        Exam           
        25 |  
		  | Participation        
        20 |  
	 
	 |  
 
Reminder:  English Department Grammar Policy 
(Majors Only)
	Writing is central to the English major; 
	therefore, the Department of English has implemented a policy to encourage 
	excellence in writing:  
	  
	The faculty in the Department of English will 
	return papers written by English majors, if they                       
	
		  | 
		 
		• do not follow correct MLA 
		documentation (including failure to integrate quotations correctly, 
		misplaced punctuation, incorrect work cited entries, etc.);   |  
		  | 
		 
		• include more than one major 
		grammatical error (run-on sentences [including fused sentences and comma 
		splices], subject-verb agreement errors, and fragments);   |  
		  | 
		 
		• contain excessive minor 
		errors (i.e., misuses of commas, semicolons, misspellings, etc. which 
		display a failure to proofread).   |  
	 
	Instructors will return papers, final papers 
	will be reduced by one letter, and students will have forty-eight hours to 
	revise and re-submit papers. In many cases, instructors will not have read 
	the entire paper once they have determined that an essay fails to meet the 
	minimum requirements; consequently, students will need to review and revise 
	essays from beginning to end to make corrections. If essays fail to meet 
	these minimum standards after re-submission, students will earn Fs for those 
	assignments. 
	 
  
Plagiarism
This is really simple: 
if
you copy someone else's direct words or exact ideas -- intentionally or not -- without giving them credit
you fail the class.  Universities and colleges are built upon the
notion that ideas matter; if you plagiarize someone else's ideas, you're denying
that fundamental tenet.  Thus there will be  zero tolerance for plagiarism
in here.  If you do it, you will fail the course, period.
(Please see also "Academic Dishonesty" in the
College's catalog as well as the relevant sections in Hacker's Bedford Handbook.)
 
    
      
        | 
   
		
  
    | W 8/26 | 
    INTRODUCTORY 
	CONVERSATION | 
   
  
    | F 8/28 | 
    Beowulf, 
	I | 
   
  
    | M 8/31 | 
    Beowulf, 
	II | 
   
  
    | W 9/2 | 
    Beowulf 
	continued | 
   
  
    | F 9/4 | 
    Beowulf, 
	III | 
   
  
    | M 9/7 | 
    "The Dream 
	of the Rood" | 
   
  
    | W 9/9 | 
    "Wulf and 
	Eadwacer"/ "The Wife's Lament" | 
   
  
    | F 9/11 | 
    From 
	Anglo-Saxon to English:  Arthur, Romance, Normans and The Great Vowel 
	Shift
		  | Geoffrey of Monmouth 141-148 |  
		  | Marie de France "Prologue" and "Lanval" |  
	 
	 | 
   
  
    | M 9/14 | 
    Chaucer 
	"The General Prologue" 1-412 | 
   
  
    | W 9/16 | 
                Chaucer "The General Prologue" 
				413-860 | 
   
  
    | F 9/18 | 
                Class Cancelled for Individual Meetings | 
   
  
    | M 9/21 | 
    Chaucer 
	"Miller's Tale" | 
   
  
    | W 9/23 | 
    Chaucer 
	"Miller's Tale | 
   
  
    | F 9/25 | 
                Chaucer "Wife of Bath's Prologue" | 
   
  
    | M 9/28 | 
    Chaucer "Wife of Bath's 
	Prologue" | 
   
  
    | W 9/30 | 
                Writing Day | 
   
  
    | F 10/2 | 
    Chaucer "Nun Priest's Tale" 
	Essay One Due  | 
   
  
    | M 10/5 | 
                The Other 
	Players:  Gwilm, Dunbar, Kennedy (read all in book, plus handouts) | 
   
  
    | W 10/7 | 
                Skelton and  | 
   
  
    | F 10/9 | 
                Wyatt, and a little lesson on 
				scansion | 
   
  
    | M 10/12 | 
                Sidney's "Apology" | 
   
  
    | W 10/14 | 
                Sidney's "Apology," including "'The 
				Apology' And Its Time" | 
   
  
    | F 10/16 | 
                Sidney's "Apology," including "'The 
				Apology' And Its Time" | 
   
  
    | M 10/19 | 
                
				 
				Fall Break  | 
   
  
    | W 10/21 | 
                Mid-Term 
				Exam | 
   
  
    
    | F 10/23 | 
    
                
				 
				Class Cancelled  | 
   
  
    | M 10/26 | 
                PUNT!  Group Work on Elizabeth 
				and Raleigh (And Returning Essays) | 
   
  
    | W 10/28 | 
                Elizabeth &  Raleigh:  
				Poetry & Prose | 
   
  
    | F 10/30 | 
                Shakespeare, as a Poet:  
				Sonnets | 
   
  
    | M 11/2 | 
                Shakespeare's Sonnets | 
   
  
    | W 11/4 | 
                The Cavalier Poets:  Jonson | 
   
  
    | F 11/6 | 
                The Cavalier Poets:  Herrick 
				and Herbert | 
   
  
    | M 11/9 | 
                The Metaphysical Poets:  
				Marvell | 
   
  
    | W 11/11 | 
                The Metaphysical Poets:  Donne  | 
   
  
    | F 11/13 | 
                Peer Revision Day for Essay 
				Two | 
   
  
    | M 11/16 | 
                Wroth, Phillips and "Tracts on 
				Women and Gender" | 
   
  
    | W 11/18 | 
                Milton:  "Lycidas" & "When I 
				Consider How My Light Is Spent" | 
   
  
    | F 11/20 | 
                 
				Essay Two Due | 
   
  
    | M 11/23 | 
                Milton:  PL Book 1 | 
   
  
    | W 11/25 | 
                
				Thanksgiving 
				Break | 
   
  
    | F 11/27 | 
                
				Thanksgiving 
				Break | 
   
  
    | M 11/30 | 
                Milton: 
				PL Book 9 | 
   
  
    | W 12/2 | 
                The 18th 
				Century:  Dryden | 
   
  
    | F 12/4 | 
                The 18th 
				Century:  Swift, "A Modest Proposal" | 
   
  
    | M 12/7 | 
                The 18th 
				Century:  Swift, Gulliver's Travels, Part Four | 
   
  
    | W 12/9 | 
                The 18th 
				Century:  Johnson | 
   
  
    | M 12/14 8:00 AM | 
                 FINAL 
				EXAM  | 
   
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