British Survey One
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Mid-Term Study Sheet
Final Exam Study Guide

 

Office Information Course Calendar
Style Sheet
Note:  This webpage is subject to revision throughout the semester. 
Whatever version is online here represents the current, active, and binding syllabus.

Texts:

bulletDamrosch, David, ed.  The Longman Compact Anthology of British Literature, Volume A.  New York:  Pearson/Longman, 2004.
bulletAnd whatever else I think you need to have thrown at you.

A Couple of Options:  How To Construct a Survey Course

There are basically two ways to teach a survey class. In the first you choose a few (say eight or ten) representative works and develop the historical and literary themes of the age(s) in question from their texts. This provides an in-depth textual knowledge, but a limited breadth of knowledge. I prefer to err on the other side, giving a less detailed textual knowledge but covering more material in the process. Basically this means that we're going to be reading a lot in here -- a lot  -- but not spending a lot of time on each piece. Some figures, who will be obvious as the semester wears on, will demand that we spend more time with them; others we can put together in what I hope will be interesting juxtapositions. All of this is just to warn you that we're going to be moving fast in here once we get moving; if you get behind on the reading you're going to be in trouble, so keep up.  No, seriously, don't get behind. 

What I hope to do during the course of the semester is to give you not only a sense of the literature from about 1100 to 1750, but a sense of the social issues and changes which occur and are reflected/commented upon in the texts themselves. This means that in addition to the literary readings assigned, I'm going to expect you to keep an eye on some of the contextual materials in the Longman.  They're informative -- if sometimes windy -- and serve as good background. ("Keeping an eye on" may mean that I will quiz you on them, so be forewarned.) Anyway, I hope that the combination of social history and literature adds up to a good semester. 

Course Requirements:

The Requirements here are pretty simple:

bulletRead the material.  Always, and fully.  This is a reading-intensive course and we're going to cover a LOT of material, and I'm going to hold  you responsible for all of it.  If I feel that you're not keeping up, I will institute regular reading quizzes.
bulletThe two exams will be a mid-term and a final.  More details on the form and scope of these will follow, but be prepared to know anything we've read or anything that we've discussed in class -- or anything that I tell you to read that we don't discuss in class.
bulletThere will also be two essays.  The first will be an interpretation of one of the texts (4-5 pages) while the second will attempt to draw together two of the works which we've read during the course of the semester (5-7 pages).  Works and topics will be open* but you ought to clear them with me before you get too far into the writing.  Unless an extension has been secured beforehand, late essays will be dropped one full letter grade per day late (weekends counting one day).    *I might change my mind on that for the first one, instead giving you a limited number of pieces to address.
bulletBe in class and participate.  You get four absences in here free for nothing.  Everything after that comes with a price, and that price is a lowering of your final grade.  While in class, I notice whether you've read the material and whether you talk or not. Demonstrating that you're taking responsibility for your own educations by doing the work -- reading first, talking well later -- makes a difference on your final grade. Because this class will depend upon discussion I will be evaluating you on your engagement in the class and not simply whether your body occupied space or not.  The more you talk, the more you learn and retain.
bulletPercentages:
bulletEssay One            15
bulletMid-Term Exam    15
bulletEssay Two            25
bulletFinal Exam            25
bulletParticipation         20

Reminder:  English Department Grammar Policy (Majors Only)

Writing is central to the English major; therefore, the Department of English has implemented a policy to encourage excellence in writing: 

 

The faculty in the Department of English will return papers written by English majors, if they                     

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do not follow correct MLA documentation (including failure to integrate quotations correctly, misplaced punctuation, incorrect work cited entries, etc.);

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include more than one major grammatical error (run-on sentences [including fused sentences and comma splices], subject-verb agreement errors, and fragments);

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contain excessive minor errors (i.e., misuses of commas, semicolons, misspellings, etc. which display a failure to proofread).

Instructors will return papers, final papers will be reduced by one letter, and students will have forty-eight hours to revise and re-submit papers. In many cases, instructors will not have read the entire paper once they have determined that an essay fails to meet the minimum requirements; consequently, students will need to review and revise essays from beginning to end to make corrections. If essays fail to meet these minimum standards after re-submission, students will earn Fs for those assignments.

 

Plagiarism

This is really simple:  if you copy someone else's direct words or exact ideas -- intentionally or not -- without giving them credit you fail the class.  Universities and colleges are built upon the notion that ideas matter; if you plagiarize someone else's ideas, you're denying that fundamental tenet.  Thus there will be zero tolerance for plagiarism in here.  If you do it, you will fail the course, period. (Please see also "Academic Dishonesty" in the College's catalog as well as the relevant sections in Hacker's Bedford Handbook.)

Calendar

 

W 8/26 INTRODUCTORY CONVERSATION
F 8/28 Beowulf, I
M 8/31 Beowulf, II
W 9/2 Beowulf continued
F 9/4 Beowulf, III
M 9/7 "The Dream of the Rood"
W 9/9 "Wulf and Eadwacer"/ "The Wife's Lament"
F 9/11 From Anglo-Saxon to English:  Arthur, Romance, Normans and The Great Vowel Shift
bulletGeoffrey of Monmouth 141-148
bulletMarie de France "Prologue" and "Lanval"
M 9/14 Chaucer "The General Prologue" 1-412
W 9/16 Chaucer "The General Prologue" 413-860
F 9/18 Class Cancelled for Individual Meetings
M 9/21 Chaucer "Miller's Tale"
W 9/23 Chaucer "Miller's Tale
F 9/25 Chaucer "Wife of Bath's Prologue"
M 9/28 Chaucer "Wife of Bath's Prologue"
W 9/30 Writing Day
F 10/2 Chaucer "Nun Priest's Tale"

Essay One Due

M 10/5 The Other Players:  Gwilm, Dunbar, Kennedy (read all in book, plus handouts)
W 10/7 Skelton and
F 10/9 Wyatt, and a little lesson on scansion
M 10/12 Sidney's "Apology"
W 10/14 Sidney's "Apology," including "'The Apology' And Its Time"
F 10/16 Sidney's "Apology," including "'The Apology' And Its Time"
M 10/19

Fall Break

W 10/21 Mid-Term Exam
F 10/23

Class Cancelled

M 10/26 PUNT!  Group Work on Elizabeth and Raleigh (And Returning Essays)
W 10/28 Elizabeth &  Raleigh:  Poetry & Prose
F 10/30 Shakespeare, as a Poet:  Sonnets
M 11/2 Shakespeare's Sonnets
W 11/4 The Cavalier Poets:  Jonson
F 11/6 The Cavalier Poets:  Herrick and Herbert
M 11/9 The Metaphysical Poets:  Marvell
W 11/11 The Metaphysical Poets:  Donne
F 11/13 Peer Revision Day for Essay Two
M 11/16 Wroth, Phillips and "Tracts on Women and Gender"
W 11/18 Milton:  "Lycidas" & "When I Consider How My Light Is Spent"
F 11/20
Essay Two Due
M 11/23 Milton:  PL Book 1
W 11/25 Thanksgiving Break
F 11/27 Thanksgiving Break
M 11/30 Milton:  PL Book 9
W 12/2 The 18th Century:  Dryden
F 12/4 The 18th Century:  Swift, "A Modest Proposal"
M 12/7 The 18th Century:  Swift, Gulliver's Travels, Part Four
W 12/9 The 18th Century:  Johnson
M 12/14 8:00 AM  FINAL EXAM