

| |
Texts:
 | Damrosch, David, ed. The Longman Compact Anthology of
British Literature, Volume A.
New York: Pearson/Longman, 2004.
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 | And whatever else I think you need to have thrown at you. |
A Couple of Options: How To Construct a Survey Course
There are basically two ways to teach a survey
class. In the first you choose a few (say eight or ten) representative works and
develop the historical and literary themes of the age(s) in question from their
texts. This provides an in-depth textual knowledge, but a limited breadth of
knowledge. I prefer to err on the other side, giving a less detailed textual
knowledge but covering more material in the process. Basically this means that
we're going to be reading a lot in here -- a lot -- but not spending a lot of time on each
piece. Some figures, who will be obvious as the semester wears on, will demand
that we spend more time with them; others we can put together in what I hope
will be interesting juxtapositions. All of this is just to warn you that we're
going to be moving fast in here once we get moving; if you get behind on the
reading you're going to be in trouble, so keep up. No, seriously, don't
get behind.
What I hope to do during the course of the
semester is to give you not only a sense of the literature from about 1100 to
1750, but a
sense of the social issues and changes which occur and are reflected/commented
upon in the texts themselves. This means that in addition to the literary
readings assigned, I'm going to expect you to keep an eye on some of the
contextual materials in the Longman. They're informative -- if sometimes windy -- and
serve as good background. ("Keeping an eye on" may mean that I will quiz you on them,
so be forewarned.) Anyway, I hope that the combination of social history and
literature adds up to a good semester.
Course Requirements:
The Requirements here are pretty
simple:
 | Read the material. Always, and
fully. This is a reading-intensive course and we're going to cover a
LOT of material, and I'm going to hold you responsible for all of it. If I feel that you're not keeping up, I will institute regular
reading quizzes. |
 | The two exams will be
a mid-term and a final. More details on the form and scope of
these will follow, but be prepared to know anything we've read or anything
that we've discussed in class -- or anything that I tell you to read that we
don't discuss in class. |
 | There will also be two essays.
The first will be an interpretation of one of the texts (4-5 pages) while the
second will attempt to draw together two of the works which we've read
during the course of the semester (5-7 pages). Works and topics will
be open* but you ought to clear them with me before you get too far into the
writing. Unless an extension has been secured beforehand, late essays
will be dropped one full letter grade per day late (weekends counting one
day). *I might change my mind on that for
the first one, instead giving you a limited number of pieces to address. |
 | Be in class and
participate. You get four
absences in here free for nothing. Everything after that comes with a
price, and that price is a lowering of your final grade.
While in class, I
notice whether you've read the material and whether you talk or not.
Demonstrating that you're taking responsibility for your own educations by
doing the work -- reading first, talking well later -- makes a difference on your
final grade. Because this class
will depend upon discussion I will be evaluating you on your engagement
in the class and not
simply whether your body occupied space or not. The more you talk, the
more you learn and retain. |
 | Percentages:
 | Essay
One 15 |
 | Mid-Term Exam 15 |
 | Essay
Two 25 |
 | Final
Exam
25 |
 | Participation
20 |
|
Reminder: English Department Grammar Policy
(Majors Only)
Writing is central to the English major;
therefore, the Department of English has implemented a policy to encourage
excellence in writing:
The faculty in the Department of English will
return papers written by English majors, if they
 |
• do not follow correct MLA
documentation (including failure to integrate quotations correctly,
misplaced punctuation, incorrect work cited entries, etc.); |
 |
• include more than one major
grammatical error (run-on sentences [including fused sentences and comma
splices], subject-verb agreement errors, and fragments); |
 |
• contain excessive minor
errors (i.e., misuses of commas, semicolons, misspellings, etc. which
display a failure to proofread). |
Instructors will return papers, final papers
will be reduced by one letter, and students will have forty-eight hours to
revise and re-submit papers. In many cases, instructors will not have read
the entire paper once they have determined that an essay fails to meet the
minimum requirements; consequently, students will need to review and revise
essays from beginning to end to make corrections. If essays fail to meet
these minimum standards after re-submission, students will earn Fs for those
assignments.
Plagiarism
This is really simple:
if
you copy someone else's direct words or exact ideas -- intentionally or not -- without giving them credit
you fail the class. Universities and colleges are built upon the
notion that ideas matter; if you plagiarize someone else's ideas, you're denying
that fundamental tenet. Thus there will be zero tolerance for plagiarism
in here. If you do it, you will fail the course, period.
(Please see also "Academic Dishonesty" in the
College's catalog as well as the relevant sections in Hacker's Bedford Handbook.)
W 8/26 |
INTRODUCTORY
CONVERSATION |
F 8/28 |
Beowulf,
I |
M 8/31 |
Beowulf,
II |
W 9/2 |
Beowulf
continued |
F 9/4 |
Beowulf,
III |
M 9/7 |
"The Dream
of the Rood" |
W 9/9 |
"Wulf and
Eadwacer"/ "The Wife's Lament" |
F 9/11 |
From
Anglo-Saxon to English: Arthur, Romance, Normans and The Great Vowel
Shift
 | Geoffrey of Monmouth 141-148 |
 | Marie de France "Prologue" and "Lanval" |
|
M 9/14 |
Chaucer
"The General Prologue" 1-412 |
W 9/16 |
Chaucer "The General Prologue"
413-860 |
F 9/18 |
Class Cancelled for Individual Meetings |
M 9/21 |
Chaucer
"Miller's Tale" |
W 9/23 |
Chaucer
"Miller's Tale |
F 9/25 |
Chaucer "Wife of Bath's Prologue" |
M 9/28 |
Chaucer "Wife of Bath's
Prologue" |
W 9/30 |
Writing Day |
F 10/2 |
Chaucer "Nun Priest's Tale"
Essay One Due |
M 10/5 |
The Other
Players: Gwilm, Dunbar, Kennedy (read all in book, plus handouts) |
W 10/7 |
Skelton and |
F 10/9 |
Wyatt, and a little lesson on
scansion |
M 10/12 |
Sidney's "Apology" |
W 10/14 |
Sidney's "Apology," including "'The
Apology' And Its Time" |
F 10/16 |
Sidney's "Apology," including "'The
Apology' And Its Time" |
M 10/19 |
Fall Break |
W 10/21 |
Mid-Term
Exam |
F 10/23 |
Class Cancelled |
M 10/26 |
PUNT! Group Work on Elizabeth
and Raleigh (And Returning Essays) |
W 10/28 |
Elizabeth & Raleigh:
Poetry & Prose |
F 10/30 |
Shakespeare, as a Poet:
Sonnets |
M 11/2 |
Shakespeare's Sonnets |
W 11/4 |
The Cavalier Poets: Jonson |
F 11/6 |
The Cavalier Poets: Herrick
and Herbert |
M 11/9 |
The Metaphysical Poets:
Marvell |
W 11/11 |
The Metaphysical Poets: Donne |
F 11/13 |
Peer Revision Day for Essay
Two |
M 11/16 |
Wroth, Phillips and "Tracts on
Women and Gender" |
W 11/18 |
Milton: "Lycidas" & "When I
Consider How My Light Is Spent" |
F 11/20 |
Essay Two Due |
M 11/23 |
Milton: PL Book 1 |
W 11/25 |
Thanksgiving
Break |
F 11/27 |
Thanksgiving
Break |
M 11/30 |
Milton:
PL Book 9 |
W 12/2 |
The 18th
Century: Dryden |
F 12/4 |
The 18th
Century: Swift, "A Modest Proposal" |
M 12/7 |
The 18th
Century: Swift, Gulliver's Travels, Part Four |
W 12/9 |
The 18th
Century: Johnson |
M 12/14 8:00 AM |
FINAL
EXAM |
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