Remember, the format of the final will be the same as that of the mid-term exam, only longer.  The essays will be comprehensive while the rest will primarily cover material we've read after mid-term.

So, okay, little Chaucerians, here we go:

  • What significant act occurred in England in 1290?  (Hint:  it didn't completely eliminate those acted against.)
  • What possible reasons might we have for the Nun's Priest to be the one telling Chaunticleer's fabliaux?
  • Be thinking hard about that old Retraction.
  • What is "The Marriage Group"?  (This means know both the tales and the issues involved in Kittredge's interpretation.)
  • Chaucer draws upon various, and varied, genres in his writing.  What are some, where do they occur, and how (and perhaps why) does Chaucer use/improve them?
  • How might you define the logical exercise called an "impossibilia"?  Where have you seen one?
  • What is it called when a poet calls out to someone or something for inspiration?  How is it classically used and how used in Chaucer?
  • Why do you suppose that Walter comes off fairing so much worse in our judgments than the Wife of Bath, since both spend their lives demonstrating their "mastery"?
  • When you think about Chaucer versus "Chaucer" what is it you're thinking about?
  • Define irony and know how it's used in one, or two, of The Canterbury Tales.
  • First there's The Miller's Tale.  Then there's The Merchant's Tale.  Then there's The Franklin's Tale.  How are these three turns on the same basic story -- and how do they end up differentiating themselves?
  • What links The Miller's Tale to The Nun's Priest Tale?
  • Again, what's the Great Western Schism?
  • What's the difference between regular clergy and secular clergy?
  • What's a break in decorum, according to this class?
  • What is "heigh style"?
  • When Chaucer first began writing, what tended to characterize his prosody?
  • As he continued, what innovation(s) did he bring to English poetry?
  • Name two of Chaucer's most prominent English contemporaries (and know what they wrote).
  • What's a cosmology?
  • Know the plots and themes of the various tales -- and who talks to whom in the prologues, too.
  • What's "blood libel"?
  • Think of the most important thing that you've learned this semester.  Be ready to talk not only about what it is, but what criteria you're using to define "important." 
  • Experience wrestles authority.  Who wins the ram?
  • No, seriously, "which was the mooste fre"?
  • What tale (well, teller) reverses the presumed lesson of the tale itself in its (his) closing remarks?
  • God versus the Bod.  Explain.  (Think Wife of Bath.)
  • What Christian tale is religiously intolerant, and why?
  • Why do we keep talking owls?
  • Remember your listing/lesting/lusting in here.
  • What's the problem with the "Tale of Sir Topas"?
  • Okay, so detail why (in what ways) the "problem" occurs.
  • What's the difference(s) between Griselde and Constance?
  • Did the Retraction remind you of anything in Shakespeare?  The answer is "yes," so what was it?
  • What lessons about taking advice might we learn from the post-Fall Break tales?  Where do we learn them in particular?
  • Everybody takes shots at the Wife of Bath.  Find three and discuss what they're arguing with/about.
  • The Merchant is pretty unhappily married, as his Prologue tells us.  Where else might we see evidence of this in his tale? 
  • What is a "life of a saint" when we're thinking about Chaucer's age?
  • Do you agree with Kittredge that the Franklin's Tale resolves the problems that arise in the other tales of marriage?
  • Man of Law's Tale:  "Wommen are born to thraldom and penance/ And to been under mannes governance" (286-7):  How is this standard of gender roles supported or contradicted by the tale itself?
  • What verse forms does Chaucer introduce into English, and perfect, in "The Man of Law's Tale" and "The Clerk's Tale"?
  • What's a foreshortened line of verse -- like those few used in "The Tale of Sir Thopas" called?
  • What is a "Miracle of The Virgin" as we've discussed it in here? 
  • Is The Canterbury Tales a religious work?  (How's that for a question for you?)


    And I think I'm done.  Review the tales, review the presentations, think about all that you've learned and be ready to use it.  That's not so hard, is it?