The
List Is In: English Courses Next Year
Fall Semester 2008
English 110: Composition
and Argument: A study of basic rhetorical strategies and
their application in thesis-focused essays, as well as an analysis
of literature emphasizing the symbolic and expressive uses of
language. Students are introduced to the imaginative modes of
literature and demonstrate their understanding of those uses through
discussion and written work. (Four credits) (All Professors)
English 180: Post 9/11
Literature: A sampling of literature in the post 9/11 world. (Bruce)
English
210: Creative Writing: Practice in the writing
and critical analysis of imaginative literary forms, especially
poetry and fiction. (Bruce)
English 220: British Survey I: The
first part of a two part sequence required of English majors,
this course is a historical survey emphasizing literary and
cultural developments in English literature from the Medieval
through the early eighteenth century. Beginning with the
canonical alliterative epic Beowulf and continuing through the
works of Samuel Johnson, this course covers roughly ten
centuries of British literature. Our goals in this course are
twofold (at least): to provide a chronology of (mostly)
canonical British literature and to develop a sense of literary
historicity as well as to think deeply about literature rooted
in cultures simultaneously comparable to and disparate from our
own. Major projects include a research assignment and a final
major essay. (Belschner)
English 224: American Survey I: One of two introductory surveys in
American literature emphasizing literary movements, and cultural and
historical developments in the literature of the United States.
A survey of literature from Pre-Colonial times to the Civil War. (Bruce)
English 210: Creative
Writing: Practice in the writing and critical analysis of
imaginative literary forms, especially poetry and fiction. (Bruce)
English 310:
Advanced Creative Writing: Students write intensely in
poetry or fiction, individually selecting their subject matter
throughout the course. Students sharpen their critical skills
by evaluating one another's work and investigating contemporary
writing and publishing. (Watson)
English 350:
Angry Young Men:
This
course takes its name from the school of drama that was
prevalent in England circa 1956. John Osborne’s Look
Back in Anger foregrounded two young disaffected
working-class male protagonists with fierce humor, savage
social commentary, and not a little, well, anger. Osborne
wasn’t the first twentieth-century British artist to tap
into this base, though. We’ll move from Graham Greene’s
Brighton Rock through the Angry Young Men to some of Philip
Larkin’s sardonic verse to the Punk movement to Jeannette
Winterson, with other pitstops along the way as we explore
class warfare, anger, and gender in some of the high moments
– and some of the low – of English culture of the past
eighty years. (Willhardt)
English 350: Transatlantic Literature of the 1890s:
What do dentists, dandies, Dracula, dames, detectives,
decadents, and a guy named Dorian have in common? Why is
British literature at the turn of the century kinkier than
American literature? Why did British writers seem more
interested in art while American writers seem more
interested in life? Sign up for Transatlantic Literature of
the 1890s and find out. This course will examine and
compare literature and art of England and America created
during the last decade of the nineteenth century. Texts
will include Wilde's The
Picture of Dorian Gray, Doyle's Sherlock Holmes
stories, Norris's
McTeague, and a variety of poems and stories by
Thomas Hardy, Sarah Orne Jewett, Rudyard Kipling, Ambrose
Bierce, Michael Field, Lionel Johnson, Edwin Arlington
Robinson, and others. We will explore the literature in
terms of several artistic movements including aestheticism,
decadence, naturalism, and regionalism. (Hale)
TEDP 371: Secondary
English Curriculum & Instruction:
A study
of the curriculum, teaching methods, and instructional
materials pertinent to secondary school English programs.
Applying theory and research from English education to the
planning and implementing of instruction is stressed.
Prerequisites: TEDP 200 & 201. (Roberts)
Spring Semester 2009
English 110: Composition
and Argument: A
study of basic
rhetorical strategies
and their application in
thesis-focused essays,
as well as an analysis
of literature
emphasizing the symbolic
and expressive uses of
language. Students are
introduced to the
imaginative modes of
literature and
demonstrate their
understanding of those
uses through discussion
and written work. (Four
credits) (All
Professors)
English 200: Intro to
English Studies:
It’s not called Boot
Camp for the Major for nothing: this course will
help demonstrate what “English” means to those of us
who study it, as well as help build a set of skills
that can help you thrive in your courses (English
and otherwise) for the rest of your college career.
(Willhardt)
English
220: British Survey II: A course emphasizing
major literary movements, cultural influences, and historical
developments in English literature from the Neo-classical
through Victorian periods. (Hale)
English 224: American Survey II: This is an introductory
survey focusing on poetry and fiction written after the
Civil War and before American involvement in the Second
World War. Included are works from such writers as Jewett,
Wharton, Twain, James, Kate Chopin, Crane, Pound, Robinson,
Frost, Anderson, Stevens, Eliot, Fitzgerald, Hemingway, and
Faulkner. Emphasis on literary, cultural, and historical
movements. The course is a continuation of English 224, but
may be taken alone and without regard to sequence. (Watson)
English
301:
Advanced Composition:
Better
entitled “Literary Nonfiction” this course is a
complement to the two creative writing courses
offered by the Department. A craft course, we will
work on understanding the various subgenres of
literary nonfiction by reading widely and writing
copiously. The idea is to learn to tell true
stories, but tell them as if they were fiction,
keeping in mind ways to generate character, scene,
plot, and that most elusive of all elements,
style. (Willhardt)
English 350: British Women Novelists of the 19th
Century:
Why did women writers come of age during the 19th-century
and land wide audiences? Why did some women novelists
embrace patriarchy while others challenge it? Why did some
women writers focus on marriage plots, but others broke into
"men's subjects" such as violent crime, politics and
industry? These are just a few of the questions we'll
explore in this course. We'll examine novelists such as
Jane Austen, Charlotte Bronte, George Eliot, Mary Elizabeth
Braddon, and Elizabeth Gaskell using formal, historical, and
psychoanalytic approaches to understand the work, the
writers, and the women of the period better. (Hale)
English 362 Shakespeare's
Tragedies and Romances:
This course focuses mainly on Shakespeare's
later works, the tragedies and the romances.
Two thirds of the course will focus on tragedies
both typical and atypical with particular focus
on recurring imagery/ themes and historical/
cultural contexts for the plays. One third of
the class will be on the romances: this
sophisticated and mixed genre showed up at the
end of Shakespeare's career and the romances are
some of his best work. We will also discuss
performative elements including film and live
performances. Major projects include a video
project (with explanatory paper) and a final,
formal essay. (Belschner)
English 400 Senior Seminar:
Early Modern Drama:
The focus of this course will be on the great
tragedies of the early modern period included
only one Shakespearean play (either Othello or
The Merchant of Venice). Other works will
include (but are not limited to) Kyd's The
Spanish Tragedy, Cary's The Tragedy of Miriam,
Marlowe's Edward II and/ or The Jew of Malta.
Students will be responsible for leading
discussion and providing historical and critical
tools for exploring and analyzing the plays.
One important theme that will be explored in the
class is the representation of otherness. The
course will culminate in the senior thesis.
(Belschner)
Seemingly
Simple Advice:
An Educational
Tale about
English Portfolios
By: Erik Davis
Many of you might vaguely recall your
English 200 professor talking to you about
the importance of keeping up to date with
your English Portfolio. I am writing this
piece as a warning to everyone who has been
putting off compiling their portfolio—you
have been warned.
It was the end of my freshman
year, the weather had finally warmed up, the
grass was beginning to green, birds were
singing in the trees, and I was trapped in
Dr. Hale’s office. Even though English 200
was over—I had survived—Dr. Hale would not
let me leave campus until I conferenced with
him about my newly completed English
portfolio. At the end of the last English
200 class we were all supposed to receive a
nice, black, three ring binder that would
house our English portfolio. Unfortunately
Dr. Hale did not bring enough binders for
everyone, and I had to use one of my own
folders. Back in Dr. Hale’s office I was
sweating, not as much as Dr. Hale but who
does. I was sweating because I had just
finished throwing together my ‘end of the
year reflection’ right before I left Cleland
to walk to Dr. Hale’s office. I was banking
on two circumstances to save me from being
forced to do a rewrite. First it was the
end of the year, and second it was spring.
He had been reading my one and a
half page reflection far too long and it was
making me feel uncomfortable. I knew he was
going to make me rewrite the whole thing. I
was incredibly depressed. My roommate had already
moved out for the summer, and I was totally
alone on campus. Then he looked up and said
in no uncertain terms that it was not good
enough to represent my freshman year, but he
wouldn’t make me revise it at this time. I
grabbed my fledgling portfolio (in a bright
pink ‘Dancing Diva’ paper folder)and ran
as fast as I could away from his office.
Ten minutes later I was driving back home,
and the portfolio was the last thing on my
mind. I did not think of it again until the
end of my sophomore year.
It was the end of my sophomore
year, the weather had finally warmed up, the
grass was beginning to green, birds were
singing in the trees, and I was trapped in
Dr. Hale’s office again. He was glaring at me
over the top of my hastily put together ‘end
of the year reflection.’ I still had not
received a black binder from the English
department, so my portfolio was housed in my
bright pink ‘Dancing Diva’ paper folder. I
felt even more uncomfortable than I had last year,
probably because I had come to expect better
work out of myself. I was disappointed in
my reflection, but I was also anxious to get
home. I was saying something to the effect
that I knew it was sub par, but I had fried
my brain taking all of my finals. I left
his office having promised that I would
revise it for next year.
Right after I got home for my
long awaited summer vacation something
happened that changed the life of my
portfolio forever. Most of my family had
left to go to see a play in Peoria. My
brother, who was going into his senior year
of high school, was left home alone. Just
as we were nearing the small town where I
live my mother received a phone call from
Alex. He was in a blind panic. He told my
mom that our basement was flooded with murky
water. Hearing your basement is flooded is
never good news for a homeowner, but this
was especially bad. It was a flood of
Biblical proportions. By the time we got
home there was two and a half feet of water
in our basement. Floating right beside our
cat, who was frantically clawing to gain
purchase atop a random piece of
debris, was my English portfolio. The bright pink
that had made the ‘dancing diva’ look so
festive had bled into the water surrounding
it. It was a horrible sight. After
cleaning our basement and rescuing our cat, I recovered my
portfolio. It was totally ruined all of my
hard work was for naught! All of
my papers and end of the year reports had
been dyed a light pink, and the water had fused
them into one inseparable lump.
None of you can imagine the look
I got from Dr. Hale when I related this very
story to him on a lovely day in spring at
the end of my junior year. It was a
terrifying mixture of contempt, rage,
disbelief, and disgust. Flash to my senior
year. I had put off doing any work at all
on my portfolio, and it was due the next
day. I also had a paper to write and my
senior research prospectus was due. I was
in a bad place. I managed to get everything
done on time, but I had to stay up all night
to do it. My work was not as good as it
could have been which, as I am sure many of
you know, is disappointing. If you do not
want this to happen to you should listen to
these three pieces of advice. First, keep
the portfolio in the back of your mind, and
every so often do a little work on it.
Second, when you write a good paper save the
original, with comments, to include in your
portfolio. This way you will not be
scrambling around your senior year asking
professors if they have comments on a paper
you wrote for them three years ago. If you
are wondering only Dr. Hale and Dr. Belschner have comments saved from three
years ago. Finally, never under any
circumstances store your English portfolio
in a bright pink ‘Dancing Diva’ folder in
your basement.
Research Blues:
Part 1:
Noelle Templeton
So…research. It’s not that I don’t enjoy
researching topics that interest me, and I
can’t say I don’t love learning, but most
research essays end up causing much more
trouble than they should. It all begins
with the issue of choosing a topic. I
possess the disastrous combination of being
chronically indecisive with procrastinating
tendencies. Thankfully we were given a list
(I love lists), and after much deliberation
and many sleepless nights, I chose the
writer whose name I liked the most:
Adrienne Rich. Reading Rich’s poetry was
fun, and I appreciate her work, but I got
the impression that she might want to fight
me if we ever met in person. I chose again.
My next choice was Ernest
Hemingway. Perhaps he and I would be forced
into a rumble if we ever met in a dark
alley, but I really enjoy his short
stories. Plus, I think I could take him (in
a scuffle, that is). So now that I’ve
decided on a writer, I must choose a
specific piece of his. All of this choosing
is making me anxious. Thanks to Watson’s
American Survey, I got plenty of
Hemingway-reading time, and within the week
I had narrowed my choice down to nine
stories. Clearly, my own contemplation was
getting me nowhere, and a quick flip of a
coin got me ready for take off.
I am left now with the thoughts
of dozens of critics, many of whom are
painfully cynical and most are obsessed with
the kinky and erotic. While it is
troublesome sorting through the views and
interpretations other readers, I finally
find myself at point where I can enjoy this
process. Reading, analyzing, and creating
are the reasons I chose English to be my
focus for at least four years, if not the
next few decades. If I can avoid
distractions and discouragement, I will have
fun with my research, and isn’t that what
college is supposed to be?
Part 2:
Erik Davis
Before I took senior seminar I had always
found that I struggled most with coming up
with a topic to write about. I had always
assumed that coming up with a suitable topic
for my senior research paper would be the
most difficult part of the paper. This has
not been the case. Coming up with a topic
was challenging and took several revisions,
but the hardest part for me has been finding
research. In previous papers my research
problems usually came from having to sift
through the numerous research results that I
had found. This time it was very
different. I am not sure if this was
because my topic was more obscure than
previous papers, or if there is not as much
written about Russian literature. In any
case, I have had no end of trouble finding
sources that discuss my topic. I cannot
count how many different combinations of
search terms I have used. I used every
academic search engine that I know about.
Eventually through sheer persistence rather
than any newly acquired research skills I
found enough sources to put together a
tentative bibliography. This whole
experience has really illustrated how much
more rewarding research is when it is not
sans results.
I would encourage everyone to work seriously
on beefing up his/her research skills before
senior seminar. This paper has definitely
put my research skills to the test. Also do
not be afraid to go to any of the professors
with questions. This paper will go much
more easily if you illicit the help of the
faculty. Most of the time, unless it is
during a particularly busy time during the
semester, the faculty are more than willing
to sit down and help with research
questions. The librarians have also been a
great resource to me when I get stuck. They
can help tweak your search terms or point
you to another database. There are tons of
different resources available to help you
with research. If you utilize them you will
get through your paper, it might not be
easy, but it will ultimately be rewarding.
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English Majors: Life
After College
Eric Seaman, 2005
Graduate of Monmouth College talks to English Majors about his
current job. He has created a newsletter titled "Observer" for
Bradley University.
On April 2nd, Dr. Rob Prescott and
Eric Seaman gave an informal presentation on the career options
available to any English major. Dr. Prescott has recently
completed a book manuscript entitled Why to Major in English if
You’re NOT Going to Teach, and his talk presented useful
information from that study.
Dr. Prescott gave the percentages
of what English majors actually do for a living: 70% work in
business and government work, 42% work for private, for-profit
companies, 14% own their own businesses, 7% work in the non-profit
sector, and only 27% work in education. This break down shows just
how much you can do with your B.A. in English. The reason for this
is the “English major’s skill set” which includes proficiency in
analysis, oral communication, interpersonal skills, writing,
research, and computer skills. More and more employers are looking
for these attributes. Dr. Prescott focused on creating resumes that
enhance your abilities as an English major to specific job
requirements.
He also stated that English majors
choose to make a little less when they start out with a salary in
the low 30’s. He says that we “Do not by any means, make a choice
to be unemployable or otherwise to live below the poverty line.”
Eric Seaman, who spoke as well, is a Monmouth College alum and is in
Bradley University’s M.A. program in English. In addition to this,
he works for Bradley’s graduate school where he produces print and
electronic communications, like his newsletter “Observer”, and
supports the graduate school’s grant-writing and grant-research
needs. Seaman is a great example of one who is taking advantage of
the possibilities available to English Majors.
Dr. Prescott worked hard to present
English majors in all fields of work: Actors, Actresses, poets,
novelists, Athletes, and CEO’s of major companies. Did you know
that Harrison Ford was an English major at Ripon College or that
Micheal Eisner, CEO of Disney, was also an English major? Although
we won't all become famous, Dr. Rob Prescott believes that this
major is the most practical and beneficial to employers today.
To Read About More Monmouth
Alum's and Their Jobs,
click here.
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Survey Says
Question: If you
were dating someone what book would make and what book would break
the relationship for you?
Based on
the responses we received, several of the you look to be very
compatible and we here at the Printing Press staff think you will
make an excellent couple!!!
Nicolas
Sparks...the bane of many English majors existence; and for others
the only reason for their existence
Make:
Pride and Prejudice by Jane Austen or Jane Eyre by
Charlotte Bronte
Break: Dante
-Megan Carlson
Dante's
Inferno would make the relationship, but Dante's Paradiso
would definitely break it.
-Raleigh Moon
I guess this
relationship depends on which of Dante’s works Megan was referring
to.
Break: Anything by Ann Coultier or Bill O'Reilly--unless it was for
a good laugh.
-Kelsey Cole
Make: Stephen Colbert's -- I am America, and So Can You
Brake: The Scarlet Letter Nathaniel Hawthorne
-Sara Hawk
Break: If I ever saw any man in possession of one of those trashy
romance novels you see on the racks in Wal-Mart or Jewel-Osco I'd
have to rethink the relationship. If I saw the author was Danielle
Steel, then I'd have to show him the door immediately. I cannot do
Danielle Steel. That's just taking it too far!
-Laura Dumont
Make: A Clockwork Orange
Break: Go, Dog! Go!
-Mo Simpson
Wordsworth’s *Lyrical Ballads,* of course, would make the
relationship; Nicholas Sparks’s *Message in a Bottle* would break
it.
-Rob Hale
My date would have to love The Notebook, and I would dump him
immediately if he said one good thing about Lyrical Ballads.
Oh. Wait …….
-Erika Solberg
Well we all thought there relationship was a great match, but is
it....?
Make it-The Awakening
Break it-Teen Vogue
-Kyle O’Keefe
Make: Their Eyes Were Watching God, The Collected Poems of Maya
Angelou, Anything by Nikki Giovanni
Break: Nothing. I would just be happy to see them reading.
-Fannetta
Jones
Make: The Fountainhead
Break: if he didn’t read, that would probably break it…there isn’t
really a specific book
-Elizabeth Towns-Law
Make = 'The Velvetine Rabbit", "The Weight of Glory', My Antonia,
or any Ayn Rand (minus the political/ideological implications) or
Renaldo Arenas poetry
Break = I think reading is totally hott (yeah, two t's), but I guess
I would say any trashy romance or Nicholas Sparks (wait, is there a
difference). And Oscar Wilde. Ewww.
-Luke Gorham
Make: Mere Christianity by C.S. Lewis
Break: …any guy who reads Nicholas Sparks would definitely have to
go. Also any huge Harry Potter fanatic wouldn't rate so high with
me... Sorry Erik : )
-Paige Halpin
These three all seem to be compatible for a relationship. I guess
they will have to sort all of that compatibility out on their own.
Make – The Odyssey
Break – Harry Potter
-Sarah Sherry
Make: Harry Potter because if they don't read it and/or can't take
me being a huge HP fan, then it's definitely not meant to be.
-Natalie Pistole
It looks like these two will never be getting together.
Catcher in the Rye
is a deal breaker. Always.
-Amanda Bloomer
Make: Alice in Wonderland by Charles “Lewis Carroll” Dodgson
Break: Great Expectations by Charles Dickens
-Manuel Solis
Make: "One Flew Over the Cuckoo's Nest" by Ken Kesey a/o
"Civilization & Its Discontents" by Sigmund Freud
Break:"The Tinkerbell Hilton Diaries: My Life Tailing Paris" by
Paris Hilton's dog Tinkerbell
-Jessica Irons
Lamb: The Gospel According to
Biff, Christ's Childhood Pal
would definitely make
the relationship interesting whereas the sight of any book by
Nicholas Sparks would induce involuntary vomiting and possible
suicide.
Make: Nicolas Sparks
-Craig Watson
Make: Absolutely anything by Nicolas Sparks would make the
relationship for me!!
-Melissa Gorski
Perhaps most surprisingly Dr. Watson and Melissa Gorski both put
Nicolas Sparks as one of their favorite authors. This is almost too
good to be true. It looks like a match
made in heaven.
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