Before we begin a detailed analysis of the elements of
fiction, I want to give you an overview of each term you’ll need to know for
this unit. These labels are
important because they give us a shorthand for discussing certain concepts.
Hopefully, many of these terms will be familiar to your from your high
school days.
Plot |
Plot refers
to the order of events in the story and should not be confused with
action. Plot considers the events and how the author organizes or structures
them. Action refers to the events as they occur chronologically, not in
the way the author ordered them. Action
refers to what happens in the story.
Plot refers to how the author structures what happens in order to
create interest or unity. |
Conflict |
Conflict is
a struggle between opposing forces in a narrative. Conflicts are usually resolved by the end of the story.
Narratives may include external conflicts between people, conflicts
between people and external forces (nature, society, etc.), or internal
conflicts between a person and her/his own problems or limitations (a
character flaw or weakness). |
Exposition |
Exposition
is the background information necessary to follow the narrative. |
Complication |
Complications
are often called the “rising action” of the story. They are the events that intensify or lead up to the turning
point in the story. |
Climax |
A climax is
the high point of a story. It
is the moment at which the conflict reaches a peak and that may lead to a resolution. |
Denouement |
Denouement
is a French word referring to the falling
action or resolution of a
story. This part of the plot happens at the end of the story and involves
a tying up of loose ends. |
Character |
Characters
are the imaginary people who populate narratives. Traits of characters are usually revealed through two main
methods: direct characterization--when
narrators spell out the traits of a character through narration (he was a
lazy slob); and indirect
characterization--when characters traits are revealed through their
actions (the author shows the character sitting around all day drinking
beer and watching TV in her underwear to illustrate her laziness).
See page 62 of Diyanni for a more explicit breakdown of techniques
of characterization. |
Protagonist |
A protagonist
is the central character of a story.
The protagonist is sometimes opposed by an antagonist who comes into conflict with the protagonist. |
Static Character |
Static
characters are characters that don’t change or evolve. |
Dynamic character |
Dynamic characters are characters that do change or
evolve. |
Flat character |
Flat characters
are not developed very well or are minor characters that have little
complexity. |
Round character |
Round characters are rendered with depth and
complexity. |
Setting |
Setting refers to the place, location, and
time of a story; setting can have symbolic significance or be used to
reinforce a character’s attitude or state of mind. |
Point of View |
Point of view
refers to the narrative perspective from which the author chooses to
deliver the action of the story. Authors
may choose an objective point of
view by which they reveal action and dialogue without commentary or
interpretation of events, or authors may choose a subjective point of view by which they create a narrator who does
comment on or interpret the events. |
First-person point of view |
This technique presents the action from the
perspective of a narrator who generally participates in and/or comments on
the action. Stories from this
perspective often present a discrepancy between what may have
“actually” happened and the way a character perceives the action. |
Third-person omniscient point of view |
This technique presents the action from an
“all-knowing” perspective. Typically,
the narrator is objective but is able to present all characters’
thoughts and feelings |
Third person limited point of view |
This technique presents the action from a vantage
point where the narrator may only have knowledge of one or two
characters’ perspectives and not have total omniscience. |
Style |
Style
refers to the way an author chooses words or arranges sentences; style
greatly influences the way we understand a story.
Authors may use a simple style with concrete verbs and short punchy
sentences, a more complex style with longer sentences and a more advanced
vocabulary, or other styles that fall in between. |
Diction |
Diction is
a part of style that refers to an author’s choice of words and may be
characterized by words like conversational, elevated, upper-class,
regional, simple, complex, colloquial, etc. |
Syntax |
Syntax is a
part of style that refers to the way authors arrange their words; simple
and complex are the most typical ways to characterize syntax. |
Theme |
A theme is a
central idea in a work that can be abstracted through the action and
images. You should state a
theme as a generalization (a broad statement or principle), and it should
have a subject and a predicate. A
theme is not what a story is “about” but what a story
“represents.” |
Irony |
Irony
involves a discrepancy between one thing and another, and usually occurs
in one of three ways: verbal irony--a
discrepancy between what is said and meant (if I say “I like your
shoes,” but you can tell I really don’t); situational
irony refers to a discrepancy between what happens and what one would
expect to happen (if a fire station burns to the ground); dramatic irony refers to a discrepancy between what characters know
and what readers know (this kind of irony is more prevalent in drama and
might occur if the audience has learned that Louie is the murderer, and
the hero arrives to collaborate with Louie to solve the crime, but the
hero doesn’t know that Louie is the murderer). |
Symbol |
A symbol is an object, action, or event in a
narrative that is significant in its own right but that also represents
something else (a train might be an important mode of transportation in a
story, but it might also symbolize the disadvantages of progress with the
pollution it creates). |