
One of the main projects you will produce for this class is
a 60-70-minute team presentation on one of the revolutionary books that we will
discuss this semester. The main
objective of your presentation is
to introduce the book to the class in terms of the author's biography, the
historical/cultural moment out of which the book was produced, and the book's
critical reception (when the book was first published and current critics' readings of the book).
Based on your research, you will also give us a synthesis of what issues
and topics are significant for studying the book, the ways in which the book is
revolutionary, and how the book connects to other books we have read or will
read. The presentation should be
formal, but I strongly encourage you to use your creativity to hook your audience and
keep our interest. You can use
music, visuals, props, drama, or whatever means you think would be effective and
appropriate.
The purpose of this activity is to test how well you can
gather information from a variety of sources and synthesize it into an
organized, coherent, and engaging presentation. These skills will be
particularly useful for those of you planning to attend graduate or professional
school, to teach at any level, or to get a job where you will need to
independently acquire expertise and inform and engage colleagues.
Here's a breakdown of the four parts:
-
Biographical
Context: Give an overview of the author's life with particular
attention to the time around the book's formation and publication.
Avoid simply giving us dates and timelines (though these tools might
be helpful in handout form), but gather key anecdotes to create a narrative that will help us
understand how the author's lived experience may have influenced the book
(i.e., the death of Wordsworth's mother when he was a boy and the many
mothers represented in Lyrical Ballads).
Incorporate photographs of the author and important people in the
author's life into your presentation (whether with posters or slides).
Provide an annotated bibliography of the sources you use and give us
a sense of the biographer's approach (textual, psychoanalytic, cultural,
etc.) in each entry. You might
also consider using autobiographies, letters, and memoirs to construct your
biography--reading sections of letters or life-writing can be a very
effective way to nutshell a point about an author that you want to
illustrate. Limit this part of
your presentation to 10-15 minutes.
-
Historical/Cultural
Context: Give us a sense of the historical, political, and cultural
events and ideas that influenced the book.
What important ideas and events surround the book and why or how do
you think they influenced it? Don't
just consider political events (i.e., the French Revolution's influence on Lyrical
Ballads), but also consider cultural ideas and events related to
publishing, music, visual art, theater, film, etc. (i.e., increase in
periodicals publishing ballads, rise of the middle class, landscape
painting, etc. on LB).
Make connections to specific poems in your collection or incidents in your
novel.
Produce an annotated bibliography of at least five historical
sources. Limit this part of your presentation to 10-15 minutes.
-
Critical
Context: A) First give us a sense of the book's critical reception
at the time of its publication. Read
at least eight book reviews from diverse publications.
Quote from the reviews and synthesize the prevailing attitudes about
the book. Consider who the
reviewers are (particularly any relationship with the writer) and pay
special attention to her/his rhetoric, values, and criteria for evaluation.
Produce an annotated bibliography of your sources.
B) Then survey more recent critical articles and book chapters on
your book (focus mostly on the total book, but with collections you may use
some articles on individual poems). Each
person on your team should read three articles/chapters and write a one page
précis (with MLA entry) for each piece.
(At least half of the articles should be from the past fifteen years.)
Give a basic summary of each writer's argument and comment on his/her
theoretical approach, the quality/helpfulness of the piece, and its most
interesting ideas. Limit this
part of your presentation to 20-25 minutes.
-
Overview:
Based on your own readings and the readings of other scholars, present a
synthesis of the important issues in the book.
What ideas/techniques/concepts make your book an important
(revolutionary) one? Spend at
least ten minutes on this portion.
Criteria for
Evaluation:
I will grade your presentation on completeness (did you include all the required components), thoroughness
(did you have details supported by research?), accuracy
(was the information accurate?), organization
(did the presentation have a logical structure and flow?), coherence (did the presentation make sense?), engagement (was the presentation interesting? Did the group
consciously try to capture our attention?), clarity
(could we understand the group?), energy
(did the group vary its tone and pace? Where they enthusiastic about their
presentation?), and esprit de corps
(did the teammates work well together? Did they complement one another?).
An A presentation
will not just provide all of the required information, but the presenters will
present their information in a truly engaging and creative way.
The presentation will not just include the presenters talking, but they
will have effective visual components to their presentation as well.
The presenters will be masters of the subject, stimulate our interest,
and will be able to answer our questions. An
A presentation will balance the
information and not give us too much from one area or another.
Each of the teammates will contribute in nearly equal amounts, will not
step on each other's toes, and will complement the others' contributions.
Presenters will look professional and organized, will speak so that we
can hear and understand them, and will have sincere enthusiasm and energy for
their project. An A
presentation will have all of the required materials neatly organized in a
portfolio.
A B presentation
will provide all of the required information, but will not have as creative or
engaging of a hook to keep us engaged. B
presenters will know their material but may not have mastered it as completely
as A presenters. B
presenters level of engagement will not be as consistent as for an A
presentation. Teamwork will be
balanced, but there may be a few moments were teammates step on each other's
toes. The look and feel of
professionalism will not be as high for a B
presentation, but the group will attempt to create professional impression.
B presenters will be easy to understand, but they may not have the
consistent energy and enthusiasm that an A presentation has.
A B presentation will include
all of the required materials, but they may not be as neatly organized.
A C presentation
will have all of the required information, but will not have a creative or
engaging hook. Basically, the team
will deliver all of the information accurately, but team members will not have
mastered their material. The
presentation will probably come across as 2 or 3 smaller presentations—the
team will not use transitions between points nor will teammates complement each
other's ideas. We will be able to
understand the group, but there will be little enthusiasm or energy in the
presentation. The group will not
create a professional, organized, completely prepared impression.
The team will include all of the required materials.
Hopefully work below C level will not be an issue, but
D and F work will generally be incomplete, carelessly presented, and
poorly produced.
Special Notes:
-
Due Dates:
All written materials will be due in a folder on
FEBRUARY 15 (the day of the first
presentation). I want you to
have all of the preliminary work done early in the term, so you can devote
more time to your theses.
-
Audience: I
will send an open invitation to our faculty and majors to attend your
presentations. Feel free to
invite other students to observe the presentations.
I would like as many people as possible to benefit from the hard work
you will put into your projects.
-
Multimedia:
If you use PowerPoint or other multi-media tools, make sure that you
REHEARSE WITH THEM. Nothing kills the effectiveness of a presentation
like an opening ten minutes fiddling with the computer.
Non-traditional
Approaches: I will entertain proposals from teams who wish to use an
alternative approach as long as the methodology allows the group to achieve all
of the assignment's objectives and requirements. For example, the members
of one team in a past seminar filmed the bulk of their presentation in an
effective way. As you brainstorm about potential formats, try to focus on
structures and methods of delivery that are particularly appropriate for the
work you chose.
WRITTEN MATERIALS TO
ACCOMPANY PRESENTATION
Annotated
Bibliography Guidelines
The annotated bibliographies for your presentation should follow the MLA
format. See a recent edition of The Bedford
Handbook or The MLA Style Guide for guidelines for documentation and
sample bibliographic entries. Limit yourselves to book chapters and articles
from journals, magazines, or anthologies--note that the format will vary
depending on the type of journal you use. You should alphabetize each
bibliography by the authors’ last names (you will have one package for biography,
one for history/culture,
and one for contemporaneous book reviews—you'll write longer précis for recent critical
articles). The annotations are simply brief (4-6 sentence)
summaries which follow
the bibliographical entries.
Précis Description (slightly modified from Craig
Watson)
Précis refers to a summary, but especially to
a summary of main points made in a presentation or a piece of writing.
After you have found an appropriate article, chapter, or perhaps book,
written within the past 20 years, you will read and digest that work of
criticism with the idea of presenting concisely the main point or points
made by the critic and a succinct summary (1-2 pages) of the writer=s
development or defense of that point or points. You will head each précis
with an MLA bibliographical entry for the piece and then begin the actual
summary.
Having decided what the critic=s
thesis is, present the critic=s
thesis at the beginning of your précis:
Example:
AIn his chapter
entitled "Separatism Unleashed," from the book The Puritan Dilemma,
Edward Morgan praises the excellent leadership and forbearance of John
Winthrop in an account of Winthrop's response to the threat imposed on the
Puritan community by Roger Williams's (extreme) visionary separatism.@
Notice here that the critic (Morgan) and the source
(in this case, chapter title and book title) are introduced immediately;
also notice that Morgan=s
thesis (big idea) in the chapter is summarized.
Next, move to a summary of the critic=s
main points and key illustrations:
Example: "According to Morgan, Williams's
positions were threatening to Puritan community. Williams advocated
extreme separatism that was impractical and disruptive. Morgan points
out that Williams insisted that . . . (illustrations). Morgan claims that
conflict came to a crisis in Williams's proclamations against the Church
of England . . . . According to Morgan, Winthrop's responses throughout
the conflict were measured, humane, and just, given Winthrop's assigned
duty and larger responsibility to the community. For instance . . .
."(illustrations)".
Notice here that you (the précis writer) are
reporting what Morgan (the critic) says. This is your stance ("Morgan
argues . . . ," "Morgan concludes . . . ," etc.)
Finally, you should provide a concluding statement or
paragraph. Here you gather together the essential points you have
reported. This closing corresponds to a conclusion in a
thesis-focused essay where you are asked to restate and elaborate the
introduction=s
thesis, provide an important final quotation, and review (see again) the
critic's argument.
Example: Throughout his argument Morgan portrays
John Winthrop as a leader responding to real threats to the Puritan "model
of Christian charity@
that Winthrop saw as the foundation for creating an earthly version of the
"celestial city.@
Writing a précis requires you to synthesize other
people's ideas in a short, well-ordered report that bears some resemblance
to a thesis-focused essay. The difference is that the thesis and
development of an insight or assertion are not your inventions but someone
else=s. You
report on what that critic had to say.
Summary of Written Materials
(click for sample entries)
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