Write a thesis-driven,
argumentative essay (3-4 typed, double-spaced pages) addressing an idea in
either Wishing on a Star, Thirteen Days or An Anthropologist on Mars
supported by evidence and explanation. You may develop your own topic for
this essay, but you must have sent a thesis to me that I approve no later
than November 7. If you don't want to generate your own topic, here are
three possibilities:
1. In the final chapter of
Billie Holiday: Wishing on the Moon, Donald Clark says that Holiday "knew that
the bottom line is that we are each responsible for our own behaviour, no
matter what color we are" (456). However, based on the story that Clarke
tells, some might argue that Holiday does not take responsibility for her
actions. Using at least three specific incidents from the biography,
argue for whether you think Holiday consistently takes responsibility for her
actions.
2. We covered
Robert Kennedy's book Thirteen Days and the Hollywood film with the
same title and discussed how each work presented characters differently for
particular purposes. Pick one character (or perhaps group of characters)
and compare and contrast how each work treats the characters
differently and for what purpose. Ultimately, you should argue for an
overall point you think the work is trying to make by treating the character
the way it does. (You'll need to review the film if you choose this
topic so that you can have specific scenes to reference.).
3. In the "Preface" to
An Anthropologist on Mars, Oliver Sacks makes an interesting comment: "In
earlier books I "wrote of 'preservations' of self, and (more rarely) of the
'loss' of self, in neurological disorders. I have come to think these terms
too simple—and that there is neither loss nor preservation of identity in such
situations, but, rather, its adaptation, even its transmutation, given a
radically altered brain and 'reality'" (xviii). Pick two of the people that
Sacks writes about in this collection of essays, and compare and contrast how
they "adapt" to their neurological conditions. Then argue for which figure is
able to adapt more positively and explain why s/he is able to do so—in other
words, explain the traits the person has that enables him/her to adapt in a
positive way.
Guidelines: I WON'T
ACCEPT PORTFOLIOS THAT DON'T INCLUDE PRE-WRITING, AT LEAST TWO ROUGH DRAFTS,
AND ONE SET OF PEER REVIEWS.
-
Review the book and think
about it in terms of the topic you’ve chosen. Make notes on the text so
you’ll have quotes that can help you develop your essay.
-
Take time to think about
the questions and do some pre-writing (brainstorming, note-taking,
outlining, listing, clustering, etc.) before you begin a draft. DO NOT OMIT
THIS STEP.
-
Begin the essay with an
introduction that gradually leads in to your thesis. Don't forget to define
any necessary terms in your introduction.
-
Develop a thesis that
indicates what you’re going to argue in the essay. Make sure your thesis is
about the book and not just real life.
-
Develop the essay with
paragraphs that include topic sentences that support your thesis, and
evidence (quotations from work) and explanation that support your topic
sentences. Strive to make connections between main points clear with
transitions and explanation.
-
Finish with a conclusion
that goes beyond merely re-stating your main points, but reinforces the
significance of your topic in terms of the work and the real world.
-
Write 1 or 2 rough drafts
and revise them carefully. Don’t just change grammar/mechanics but improve
the content as you revise so you can make a better case.
-
Proofread your final copy
before submitting it.
-
Submit your essay and all
of your pre-writing work and drafts in a two-pocket folder. Put your
pre-writing and drafts on the left side, and your final essay on the right
side. I will not grade the essay if you do not have pre-writing and
at least two rough drafts.
-
Pay special attention to
the MLA guidelines for documentation as outlined in The Bedford Handbook.
Make sure to include a works cited and document your sources
parenthetically.
DO NOT USE OR CONSULT
OUTSIDE SOURCES TO DEVELOP THIS ESSAY WITHOUT MY WRITTEN PERMISSION. DOING SO
CONSTITUTES ACADEMIC DISHONESTY.
Portfolio
Items
Left Side |
Right Side |
1. Pre-writing/invention (bottom) |
1. Final draft (bottom)
|
2. Labeled drafts with earlier
drafts nearer the bottom. |
2.
Self-evaluation
(click) |
3 Labeled Peer Review sheets
stapled to drafts that were reviewed. |
|
click
here for format guidelines
Due Dates
W11/7 |
Topic/Tentative thesis Due |
F11/9 |
Pre-writing Due |
M11/12 |
Draft 1 Due |
W11/14 |
Draft 2 Due (Swap for Peer review) |
F11/16 |
Peer Reviews Due (complete outside of Class) |
T11/20 |
Essay 3 Due |
Essay Evaluation Sheet
INTR 101—Essay #3
Grading
Checklist √+
= very good √ = adequate √- = needs work
- = poor
The writer. . .
Topic/Thesis
√ |
addresses one of the assigned topics |
√ |
defines key terms |
√ |
has an effective introduction which sets forth the gist of the argument |
√ |
has an arguable thesis |
Development/Analysis
√ |
uses specific evidence (quotations and exmples) to argue for the thesis
|
√ |
is logical in making assumptions |
√ |
uses reason effectively to argue for and explain points |
√ |
reinforces the thesis when necessary |
Organization
√ |
divides the essay into paragraphs with topic sentences and uses effective
transitions |
√ |
avoids letting the plot/chronology drive the essay so that it becomes an
explication and not an analysis |
√ |
has ordering that seems purposeful |
Sentence Structure/Mechanics/Diction
√ |
uses a variety of effective, grammatically correct sentences |
√ |
stays in present tense and avoids needless shifts |
√ |
uses precise diction |
√ |
uses correct documentation and integrates quotations effectively |
Overall Impression
√ |
meets the requirements of the assignment with the essay |
√ |
answers the “so what?” question |
√ |
achieves what s/he sets out to achieve |