Columns
in the Monmouth Daily Review Atlas
PBS
VERSUS WYATT EARP — AN OK SHOW
By William Urban
As readers of the Review Atlas know, American Experience presented a fifty minute
program on Wyatt Earp a couple weeks ago. Given that most television programs
on Monmouth’s most famous son are god-awful, it was easy for this one to be
better.
Monmouth
was mentioned briefly, in the context of the westward movement of the American
people — that mass migration that contemporaries called Manifest Destiny. That
is, it was “manifest” (obvious) that Americans would occupy the rest of the
continent, there being only disorganized Mexicans far to the south and even
less organized Indians on the Great Plains. Destiny — pioneers moving into the
interior was a process larger than the individuals involved, and Americans
already on the move saw no reason to stop.
This is a theme the PBS developed very well, to
put the Earps’ experiences in Wichita and Tombstone,
then later in California and Alaska, in the context of their times. I did this
once myself, back in 2003, when I was asked to write a book for Middle School
children, Wyatt Earp:
The OK Corral and the Law of the American West. I could have concentrated on the gunfight and the vendetta ride
— since that is what catches the typical reader’s eye — but I preferred to see
a close-knit family following closely behind the frontier, arriving in Monmouth
after the Indians were gone, but before the railroad arrived. Most members of
the family settled in Monmouth for good, but Nicholas
Earp saw the Mexican War as an opportunity to qualify for free land in the
West. Unfortunately for his plans, the dispute over slavery resulted in
Congress failing to make any provision for veterans. Nicholas returned home —
injured by an animal kicking him in the groin — just before the birth of his
son, but in time to name him for his commanding officer, Wyatt Berry Stapp.
When news of the California
gold strike came, Nicholas announced his intent to go there, then
left without paying his debts and taxes. If, as is claimed, he stayed in
Monmouth in a rented house until 1850, that was news to the tax-collector, who
kept close tabs of who had paid their 1849 taxes and who hadn’t — Nicholas Earp
didn’t. Even so, he didn’t make it past Pella, Iowa, where a relative was
living. He was there when the Census of 1850 was taken, and the Census of 1860,
which led generations of Monmouth citizens to believe that he
had stayed in Iowa the entire decade.
Some time back I discovered
that Nicholas had Earp brought his family back in1856, staying three years.
This clarified a number of problems, most importantly how a daughter could die
in Monmouth when the family was supposed to be in Iowa, but it caused
historians to wonder why Wyatt never bothered to mention it. My research
explained why. Nicholas, unable to find work, apparently unable to buy land,
ran for office as a constable. That job was hardly law enforcement, but
delivering summons for the justices of the peace and helping around the
courthouse allowed him a convenient cover for delivering whiskey to customers
unable to find it in “dry” Monmouth. After being convicted three times of bootlegging,
he sold his property (including one house still standing on South B) and went
back to Iowa. It was not a story Wyatt Earp wanted strangers to know.
Nicholas Earp made it to
California in 1864, where he established a ranch. Four years later he apparently
came back to Monmouth for a family reunion, then
settled down in Missouri to manage a restaurant. Wyatt joined him there and
married — a story mangled by the best-seller of the 1930’s, Stuart Lake’s Wyatt Earp, Frontier Marshal into his
coming back to Monmouth to study law under his grandfather (awkwardly deceased
in 1853 and never quite a judge, just a justice of the peace) and to marry a
local girl. (Ralph Eckley, who wrote the local
history columns for the Review Atlas,
used to get letters asking where the Earp farm was and if they knew anything
about Wyatt’s childhood. Eckley, who knew how to use
the county records, knew there was no farm, and since, as a reporter, he knew
everybody, he had heard what few Earp stories there were to hear; but he didn’t
know that Wyatt lived here from 1856-9.)
PBS covered all this in about
a minute. I enjoyed the longer part about Kansas, because I grew up there
hearing stories about that era. That’s the way history works. A good program
does more than entertain. It informs, it stimulates the imagination, and it
revives half-lost memories.
Memories, alas, are fallible.
That is why historians seek to confirm them with contemporary information. And the myths? Well, the myths tend to survive. It’s like
the advice given to the newspaperman at the end of The Man Who Shot Liberty
Valance: “When the legend becomes fact, print the legend.” That can drive historians nuts!
PBS got past this for the
most part. Some will miss the myth, but not me — the true story was compelling
enough. (If you doubt me, buy my well-illustrated book for some young relative,
then read it before a birthday or Christmas comes along.) PBS passed over some
important episodes, partly to move the story line along, partly to fit the
story into time available. I remember my editor cutting out my paragraph on
Wyatt liking ice cream. But Wyatt did not like hard liquor. Nor did he go
around shooting people.
One can quibble a bit — was
“the Peoria bummer” (a reference to Wyatt’s being arrested for operating a
floating bordello on the Illinois River) a pimp or merely a bouncer, and were
the pictures actually of the people and places they purported to identify? But
this production is probably as good as we’ll get for a while.
Review Atlas (Feb 11, 2010), 4.